Ian F. Thomas: Turbulent Continuity, Digital Projection of a slip-cast Chinese vase (American made mold), 18 out-of-date educational books, slab-built earthenware, string, paint
Ian F. Thomas: Di-analytic Variables, Wheel-thrown, altered, hand-built, earthenware, electric fired cone 02, steel, paint, gold leaf / 38x37x30 inches, 40 lbs
Pohutukawa Beach House
The Pohutukawa Beach House in New Zealand is designed by Herbst Architects.
The Franz House in Argentina
Designed by BAK Architects. A beautiful modern designed house, surrounded by trees.
Chris Wight: Curvilinear Construction, Slab-rolled waterjet-cut porcelain. Dimensions: approx w28 X d18 X h20 cm.
Jasmin Rowlandson
Jasmin Rowlandson’s profile on Ceramics Now Magazine - View her works
“The core inspiration of this body of work is a celebration and dedication to the immense beauty and fragility of the natural world.
My sculptures are explored from a feminine viewpoint and inspired by my relationship and fascination with nature, the land, water, and the environment.
Current inspirations stem from places that captivate and hold an emotional and visual pull, from certain areas of coast, reef, field, and wood. To the uninhibited growth of corals, lichens, mosses and fungi. The eroticism of unfurling flowers. The awakening of seeds confident of their purpose. The wild places under log piles housing micro worlds.
I’m exploring the rare, the everyday, the endangered, the ordinary and the spectacular.
My work is made from porcelain paperclay and terracotta paperclay. One of the many qualities of clay that I embrace is its capacity to hold movement and energy. By Working with a paper clay of my own mix these qualities continue to resonate once the work becomes ceramic thus enabling me to create my desired delicate, organic, fronded forms. I employ different methodologies of making depending on the requirements of the individual piece. Most of my work is hand built but I also work with paper-thin sheets of clay and some press moulding techniques.” Jasmin Rowlandson
